The album title Counterpoint stands for the concept of countermovement or opposing poles, which also exists in literature, painting, and dance. "It's about the duality of the two bass instruments, double bass and trombone, while the piano comments," Wind explains.
"Counterpoint" - The album title "Counterpoint" stands for the concept of countermovement or opposing poles, which also exists in literature, painting, and dance. "It's about the duality of the two bass instruments, double bass and trombone, while the piano comments," Wind explains. Sometimes bass and trombone move with each other, as in the newly arranged standard "Bittersweet," sometimes opposite as in "Counter my Point," or in alternating roles - as in the BaiĆ£o composition "Rosa." "Counterpoint is a concept that's all about optimism, and it gives the performers tremendous energy" is how American choreographer and ballet master Twyla Tharp sums it up.
Counterpoint, Martin Wind/Jim McNeely/Ed Neumeister
"All three players explore extended ranges, digging deep, in a series of solos and exchanges that range from dance-adjacent to dissonant, while coalescing into a remarkably cohesive conclusion."
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Counterpoint, Martin Wind/Jim McNeely/Ed Neumeister
"Post bopping vets Martin Wind/b, EdNeumeister/tb and Jim McNeely/p form a rich and lyrical trio on a mix of originals and standards on this recent release...It sounds easy here, but this kind of stuff is like watching Astaire dance-it takes years to look this relaxed."
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